The Wheel
of the Dhamma | Feature Article | Year of the Yin Fire
Pig, Month of the Yang Earth Monkey August 2007 A.D. | Web Version |
Featuring Article:
Back to the Cave: Vipassana in the Dark
contributed by Dirk Al 
1.
In the Cave of the Honey Bee Forest
Participating
in the Darkness Retreats at Tao Garden this year, I experienced
an interesting return to the cave where I practiced Buddhist
meditation a few years ago, which made me understand the nature
of Samādhi
much better and the way Buddhist and Taoist meditation come
together on a higher level, though their paths set out into
a radically different direction initially. In this article I
will tell a bit about my experiences in the cave,
how
they came about and how they returned to me while being in the
Darkness at Tao
Garden.
Then I will talk about Buddhist Meditation & the way it
is taught by Thai monks, yet keeping in mind the essential unity
of the experience and thus connecting Buddhist and Taoist practice,
so that one may clarify the other. When I came to Thailand
four
years ago, I didn't have in mind to practice meditation in a
cave at all, but to come work on a health resort. I actually
came to the cave coincidently and when the monk showed me the
way into the small meditation chamber behind the Buddha statues,
saying "I think this is your place", I didn't think much of
it. The space was rather small and low and not until the miscellaneous
junk had been cleared away, could it become evident that indeed
there was a stone bed there, adorned with a Buddhist monk's
scepter and a snake headed walking stick, and the photo's of
three Thai monks. Before I could even complain about the intended
hardship of sleeping on a stone bed, or ask any question, the
Abbott had already left, leaving me alone with the half dark
gloominess of the cave. Shortly after a novice came in, who
brought me a mosquito net (thank god), a thin mat, two blankets
and a pillow. "Ajahrn say you can take the candle from store
room", the young Thai monk said in broken English, and then
disappeared. After he had left I reluctantly hung up the
mosquito net and spread my mat out underneath it, to see how
I could lie down on it. It took me a while to spread my limbs
in the right manner so that lying down did not hurt too much.
"So that is how it's done", I thought,
when I felt surprisingly comfortable on the mat, after having
seen Thai people sleep on any hard surface, "but, for how long?"
The
answer came quickly that very night: I could not sleep on the
stone bed at all! The bed seemed to have an electric charge,
which was spinning around my energy channels. The sensation
was so strong, that I got up and lit a candle to inspect the
bed, to see whether there was any electric wire there. I
looked around the small cave and allowed my senses to get acquainted
with their new environment. My nose tasted the spirit of earth
and my ears analyzed the buzzing sound produced by the induction
of the energy current spinning around the walls of the cave:
there was no electric wire, the energy was just there... I rearranged
my blanket and sat down in lotus posture. Although I was still
not convinced that things were the way they seemed to be, I
managed to quiet down my thoughts just enough to be able to
focus more on my body. It was vibrating and just like my environment,
it was giving off a deep humming sound. Feeling pressure on
the back of my head, I became aware of something watching me.
Turning my inner eye up to the crown as Master Chia teaches,
I suddenly saw three lights spinning around my head. Observing
the phenomenon made me quiet. They seemed to be playing with
my Thrusting Channels and I was wondering about it, as one of
them clearly attempted to enter my head. I resisted and fought
the intruder by pushing out from the inside of my brain. It
was then that I first heard the guiding voice of the monk: "Very
good", he said, you are very good". Then a Wheel
appeared around my head, while I saw the Monk appearing simultaneously,
and a voice spoke directly to my mind: "They who come here
must turn the Wheel!" Feeling awkward I then replied: "But what
about the others?", whereupon the voice said to me: "Big fish
catches small fish, and also big fish is caught by even bigger
fish- why should you worry about that? It came as a shock and
made my brain stem tremble, while simultaneously strengthening
my zest and self confidence. I pushed out stronger and followed
the third light. It went through the wall of the cave, through
the mountain, flying over the forests, sailing along until we
arrived in a room full of glass cupboards of some sort, like
a museum. "That is me", a voice came, pointing at a piece of
bone. Instantaneously I saw the piece of bone develop back into a
skull, spinal column, arms and legs bones and the like, a Monk
appearing inside the Light Bubble, wearing the robe of the Forest
Monks, his body, I noticed, had this peculiar color that one
sees on some pictures of Theravada Masters: this strangely pale
white yellowish color, difficult to describe but by the word:
ascetic. That moment I felt like bathing in this very light,
my breath became subtle and I knew intuitively that I was immortal..
2.About the Half Time and Upekha Clothed in light
I came back to myself in the cave and curled up in my blanket. I slept
undisturbed that night and woke up early, eager to talk to my Abbott
before he went out on alms round. I went to the spring and showered,
then hurried along the path to the bigger cave, to see the Master. When
I approached him, he was laughing and just said: "O, I think you can
hear me quite well in your cave?" Then he went on with his business as
if nothing special had happened. I was baffled. This was
something that I yet had to learn and accept: business as usual, even
on the highest level of human consciousness: อุเปกขา Upekha as it
is called, the state above Samadhi, which may be translated
"equanimity" or even "indifference" as one of my other senior monks one
time explained to me while in Bangkok. "There are some situations where
only sheer indifference can be the way to maintain Samadhi, because any
judgment of circumstance or action will certainly break up the union
(Samadhi)". Especially nowadays, in the Half Time,
when things are very bad in the world, we need to contemplate
Upekha to the utmost, because, though things are bad already, worse may
come at any moment". In
Sanskrit Upa-iksha,
it literally means: 'to look down on things from the top" or: "to see
things as they really are", in fact this happens naturally in
meditation if one proceeds from Vipassana into the Jhana states, as I
would see during the following 4 months I spent in the cave, and
experienced again while attending the Darkness Retreat with Mantak Chia.
 
The Wheel in the palm of Maitreya
The
'half time' in Buddhism means that we are exactly midway between the
appearance of the historical Buddha and the appearance of the next
Buddha , the Maitreya or 'compassionate one'. Unlike the Western
tradition, where our present age is the end time,
in Theravadin tradition there is no Buddha expected for the
present moment., but the half time
gives humanity a chance to learn well and cope with things
themselves. This is quite contradictory to common belief amongst
Westerners, who tend to confuse the 'second coming'
of Jesus with the coming of an Avatara in Asia: neither according to
Hindu nor to Buddhist tradition is the time due for such a divine
incarnation. It is
said though, that the future Buddha may be incarnated at
the present moment, but
nobody knows who it is..In this era it is particularly true to say that
each
of us is potentially running for future Buddha hood, for we all get a
chance to learn and fix our 'karma', that is, to finish our job. The
cave at Tham Pa Phung (The Honey Bee Forest) is specially dedicated to
the half time,
as one can see in the picture, where Maitreya is depicted behind the
historical Buddha. The hand posture traditionally symbolizes the
Turning of the Wheel, as in the hand the Wheel of the Dharma is
depicted, but there is
yet another meaning, simply: 'Do not fear anything'. The small
meditation chamber is right behind the
statues, it is marked by a bolted hatch
in the wall, symbolizing the
bolted door to (knowledge of) the future. The most
important key I got towards understanding Upekha, was through Master Mantak Chia
during the Darkness
Retreat:
"If you try to sit cross legged all the time", he said, "you may arrive
at the wrong conclusion that life is suffering all the time". Better to
teach people how to practice, how to open (the channels) and stretch
(the body), so they may experience bliss". In fact, as it is
said by some Monks here in Thailand, that the future Buddha will not
meditate sitting in lotus position, but seated on a chair, he or she
may very well be a student of Mantak Chia! 3.About Jhana States and the
Microcosmic Orbit Without
any direct instruction of the Monk, I was slowly yet steadily guided up in ‘Jhāna’
every day, through intelligent forces which –for the lack of better words- I
must call the ‘invisible Masters of the Temple’. Jhāna,
or Dhyāna as it is called in
Sanskrit, is a concentrated state of the mind, which is the result of the
sustained effort to focus on the object of the meditation, be it the breath, a
visualisation, meditative walking, or any other object. Once concentration has
been established, the continued effort to concentrate will deepen the
concentration and the result of this will be what is called ‘Jhāna’.
Some locations, like caves, may further enhance this phenomenon, maybe because
of the abundance of Earth Force, which in reference to Buddhist or Yogic
tradition is called Nāga Spirit. Obviously the Nāga at that time in the cave
was very strong, and my continued efforts to concentrate made it even stronger,
so that I could even feel the force spinning around my body when I was just
lying down to rest, and this forced me to ask the Monk to have a bed placed
under the overhang in front of the cave, to sleep on during the day. Mostly the
feeling was pleasant like a continuous massage, but it also made me painfully
aware of my blockages. At night, while I did my meditative walking under the
overhang of the cave, I could also see the energy as it spun itself around the
trees and shrubs that are growing in front of the cave. Before starting my
daily meditation practice in the inner cave, which would last all through the
night, I would burn incense and chant Sanskrit prayers before the Buddha statue
and then instruction for the different stages of the meditation would come from
these ‘invisible Masters of the Temple’. The ‘teaching’ would come as waves of
energy, which would somehow ‘curve’ or ‘bend’ my energy body in different ways.
Sometimes the waves would come from “the top down”, so I would eventually see
myself sitting in meditation with lights coming shining down on me from above,
or rather coming coming up and around me from the Earth below. On other
occasions the energy would come ‘in the horizontal’ and I would see myself
reflected into a myriad of forms or a series of bodies. The result, however,
would be the same as soon as I had ‘understood’ how to restore the unity
between the up and down and right and left, front and back, and attain to Samādhi
in my Heart, Third Eye, Crown, Solar Plexus or other center, experiencing
tremendous bliss, quiet and wellbeing.
In
the Temple things are like that, but I have been
able to reach the same stage in the Darkness at Tao Garden,
which has the advantage of complete darkness, whereas the cave was only half
dark. The way Master Chia teaches, we don't have to depend on others, but we
can create our own force field. The same is true for the higher levels of
Vipassana (Insight Meditation) and the Jhāna States. Once we know the way
to the Temple, we can go there again, but initially we may need someone to show
us the way. Even if we find the way by coincidence, we may fail to recognize it
and, like Parsifal, err our way for many years until chance again brings us
back to it.
Thus
Jhāna as in Pāli, or in Sanskrit Dhyāna, may be described as a
'concentrated state' in which the mind stays focused while going into changes
of all sorts, first in the Form Plane (Rūpa Jhāna) and then in the Formless
(Arūpa Jhāna). Now understanding Jhāna States is not so much about what one
sees or experiences, which may be quite individual, but to understand how being
in a concentrated state affects your interaction with nature. The first
stage of Jhāna takes place on what is called the 'Form Plane', where being in
Jhāna affects the way in which the fibers of your 'Energy Body' bundle
together in one-ness or deflect in split-ness, like seeing your own body split
up into different forms, which then unite again when you approach One-ness (Ekāgrata).
The second stage pertains to the 'Formless', where being in a Jhāna state
directly affects the way in which you relate to existential parameters like space
and time, consciousness
(of being and non-being), emptiness (you don't occupy a place
anymore) and perception (you exist in the differential between
perception and perceived). The Jhāna of the Form Plane must logically be the
first, because it is not devoid of content, that is, it is still affected by
the illusion of a separate identity and is therefore characterized by
appearances which have some meaning to the meditator as a person. The Jhāna of
the Formless Plane is devoid of personal content and therefore relates directly
to our perception of nature itself. While meaningless to
the meditator as a person,
it bears the full meaning of nature, unfolding the essence of existence within us
and literally ravishing away our ego into nothingness. In modern languages like English, it is difficult to express these things,
because we need so many words. In Pāli-Sanskrit the first of the formless
planes is called (in one word): Ākāshānañcāyatanabhūmi, which
literally means: space-infinite-not decaying-stretched out-existence and
may be rendered: the realm of the infinite expanse of eternal space, which
is the way that nature exists for itself. The second plane of the Formless
Absorption (Jhāna) is called: Viññāṇañçāyatanabhūmi, which literally
means: discerning (consciousness)-not decaying-stretched out-existence and may be rendered: the realm of the infinite
expanse of eternal consciousness, which is the knowing of nature itself.
The third plane of Ārupa Jhāna is called: Ākiñçaññāyatanabhūmi, which
would literally translate as: (being)- without anything-stretched
out-existence, and is usually rendered: the realm of nothingness. The
fourth plane of the Formless Jhāna is then called: Nevasaññānāsaññāyatanabhūmi,
which, literally translated, would mean: neither perception nor non
perception stretched out-existence, and is conveniently referred to as: the
realm of neither perception nor non-perception. Of course it is misleading,
as the reader may agree, to call these ways of experiencing existence 'realms',
because they do not exist 'somewhere out there'. I have therefore baptized the
Formless Absorptions as 'ways of relating to existential parameters',
which may invoke yet other misunderstandings, but at least gets us away from
the idea that the Jhāna is a 'state', 'realm' or anything like that. The
problem is that the Sanskrit word Bhūmi may actually mean 'earth', 'realm',
'plane', but may also be rendered: 'existence', which from a deeper
understanding of Jhāna would be the preferred translation.
There are thus
five
Jhana's on the Form Plane and four on
the Formless Plane. To understand these things it is of great help if
one knows about the Microcosmic
Orbit: | Microcosmic Orbit | Enlightenment Factors | Jhana States of the Form -
Planes |  | Upekha (Equanimity,
Indifference) | The
first Jhana
is composed of five steps: the meditator starts by being Mindful(0), that is, attentive
to the body, the breathing or the object of
concentration, whatever it is; by dwelling on this and through applied
effort and Truth
Investigation (1) of his/her own mind, experiences Energy(2)
(transforms the sexual energy) Bliss,
zest and rapture(3), after which
calmness
and happiness(4) arise
and Samadhi
(5), which is
attained and maintained through Equanimity
based on compassion.
In the
second Jhana
Mindfulness and Truth Investigation are taken together intothe meditator rises in four steps: Vitakka(0),
'sustained application', from which arises Energy(1)
(transforms the sexual energy), then Bliss,
zest and rapture(2), Calmness
and happiness(3), leading to Samadhi(4).
The third Jhana consists of only three steps: Vitakka
is taken in with Energy (spontaneous transformation of sexual Energy) (0), Bliss,
zest and rapture(1), Calmness
and happiness(2), leading to Samadhi(3).
The
fourth Jhana
then, consists
of only two steps: Calmness
and Happiness(1), Samadhi
(2).
In the fifth Jhana the meditator rises without
steps:
Equanimity(0) leads to Samadhi(1)
Samadhi is maintained through equanimity; the secret of this plane is
called Ekagrata, One Pointedness, see below. | Samadhi (Concentration) | Passaddhi (Calmness) | Piti (Zest, Rapture) | Viriya (Effort,
Energy) | Dhammavicaya (Truth Investigation) | Sati (Mindfulness) | | The
Jhana States may be understood more easily, once we know how to work
with the Microcosmic Orbit. |
4.Upaçara Samadhi:
The Dangerous World of the Monk Kuba 'Somchai' As
said above, the understanding of Jhana is not so much in understanding
the occurrences, but in being able to control the energy. At the Cave I
met a monk whom everybody called 'Somchai', which in Thai means
'interest'. He made quite a crazy impression, as someone who
is
constantly listening to things or seeing things which are not there.
One time my teacher said to me: 'if you continue taking interest in
everything, you will end up like Kuba Somchai'. I immediately
understood what he meant, but it took me quite a while to implement
this to the full. It means one must be completely indifferent to
anything that comes up in Jhana and give up searching for the meaning
of things, which for a mind raised in European intellectual circles
proved to be quite difficult, since we are keen to know or understand
and control
things. If one follows the leads found in Jhana, be they Nimittas (visions,
appearances or voices) which arise from oneself or those
which
come from external sources, one comes into a state called Upaçara
Samadhi (Access Concentration), of which the Thai
Theravada Master
Luang Ta Mahabua
says: "It
is like a poisonous snake, which although dangerous, is sometimes kept
by people who can benefit from it. (...) But when one has become
skilled at Samadhi, one may let the Citta (Mind)
go out and follow the Nimitta and find out what is taking place. It
will then be of great value to link together the events of the past and
future." If not for
what Master Chia taught me, I think I would have gone crazy
forever because of this. For one thing, it really helps to keep on
circulating the Energy in the Microcosmic,
so as to avoid sending all
the energy up to the crown and wrongly believing to have found a way out of
existence.
Then, I found, it was very useful to employ the Fusion and Cosmic
Healing
techniques, to help guide the energy down into the earth and
insulate the body from receiving too high voltage. Once one
has
activated this plane, there is no way to stop it, and the energy can be
enormous. To avoid being 'devoured by the universe', it is necessary to
practice and understand the Fusion, so as to acquire a strong power of
one-pointedness, and develop that further in the meditation (Kan & Li).
Finally one needs to be able to control
the curiosity of the senses, sometimes called 'the five
thieves', and achieve what Master Chia calls 'Sealing of the Five
Senses'. The
first Jhana then, may be described as follows: (While in Jhana) one
brings the energy up from the Root Chakra (Base of Spine),
to the Door of Life and deeply analyzes it, that is, digests the Sexual
Energy, then Cultivates Compassion in the Heart, Receives Divine
Inspiration and Stabilizes Enlightenment (Smiling down to the Heart),
resulting in Samadhi. Every consecutive Jhana skips a station, and
circulates the energy in the Microcosmic faster and faster, like the
wrappings of a wire around a metal core, ever attaining higher levels
of energy, until
one is able to bring the energy up from the
Root Center to the Crown Center in one go. Being able to do this, from
a Buddhist or Taoist perspective alike, makes one ready for 'spiritual independence',
that is, you can also circulate your energy if some point is blocked by
the emotional effect of 'what other people do'. It may also
be of
great help while Channeling energies for the purpose of Healing.
Last but not least, being able to circulate the energy 'no
matter
what', is essential for having 'upekha' (equanimity) and, finally, Eka, that
means One-ness., which is the key to any kind of Samadhi, including
Upaçara Samādhi: 5. About
Ekagrata, Samādhi and 'Sealing of the Five Senses'.
'Eka' means the number one in Sanskrit,
eka-agra-ta, means 'to be absorbed in oneness', that is having reached
a stage of meditation where one has such a strong concentration that
nothing can interfere with it. Such a concentration actually equals
Samādhi:, but it may be of different kinds, basically with or without
object. And both of these may again lead one into either a state where
one experiences 'concentration in emptiness' (Khaṇika Samādhi),
'visionary concentration' (Upaçara
Samādhi) or
'sustained concentration' (Appāna Samādhi). The way
I found my way in while staying at the cave was through employing a
very Dutch object of concentration, namely a Tulip. I know that flower
quite well and that makes the concentration more easy. Whatever object
one uses, it must be a firm choice and not a matter of association (red
tulip becomes a white tulip becomes a rose etcetera), which would be
like inviting the mind to fantasy. In stead concentration must be made
firm to the point of seeing the object in your mind's eye vividly. When
the mind gets tired one may introduce another object, for instance
going back to observing the breath, or circulating the Microcosmic
Orbit, but it is important to always go back to the same object so as
to wear down the resistance of the mind against being conquered. In the
Darkness at Tao Garden this process was more easy then in the cave,
because there is less distraction by either feeling discomfort through
the sitting (I can simply lay down), curious insects (the cave was full
of mosquitoes and undefinable Thai insects), there is complete darkness
(the cave was only fully dark at night) and other discomforts
encountered in the wild, such as humidity, bats (they like to fly
around your head..), snakes and scorpions. Though
the Tulip did well as an object in the cave, I found a still better
object in the Darkness at Tao Garden, which is called a 'pearl'.
Redoing the entire Fusion and Kan & Li this way made me
understand
much better what the monks had been teaching me and in fact appreciate
the simplicity of the whole process. One time the monk explained to me
that "Samādhi is like
folding a robe'
, which at that time was cryptic to me. But from (re)viewing
the process in a Taoist way, I could suddenly see the whole
picture: a monk's robe consists of either 3, 7 or 9 pieces of cloth,
which have to be folded accordingly, similar to a harmonica. The final
fold goes through the middle. Seen on the Human Body the process is
indeed that we first fold ourselves -as it were- in a vertical manner,
bringing energy up from the Lower Tan Tien to the Higher and back down,
actually folding our energy around the center, and fusing it
in
the Cauldron, a process then repeated on the Higher Level by moving the
Cauldron up. Finally we have to fold horizontally, bringing
together the left and right channels and folding our energy
around the central channel., to achieve what is called "Sealing of the
Five Senses', which
Master Chia will teach in the upcoming Darkness Retreat.
Such
I have learned. Though Buddhist Samādhi and Taoist Alchemy are
different paths, one path may elucidate the other. Master Chia had told
me many times not to 'imagine' things while doing the meditation, but
to focus the mind and 'do it'. The Buddhist monks have taught me things
that have greatly improved my (power of) concentration, which I may
apply on the Taoist path, a path that suits me better. I thank my
teachers.
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